Sunday 3 July 2011

Context and Anchorage

Images and signs often convey a certain meaning or message when put into a certain context or form, e.g. red is usually associated with danger, and so a red flame with a strike through it would certainly show that an open flame is dangerous. Whereas red in a heart shape would be associated with love and romance, without the bad connotations. Anchorage is the way in which a combination of elements are fixed together to create an interpretation, the way an audience pieces together evidence to create a conclusion of it's meaning.

When finding evidence of anchorage we looked over the way in which adding text to an image can completely change it's meaning, this is evident in the following image:

Denotations: A woman stands naked covering her breasts and stares into the camera. Her hair is large and styled. She wears flicked black eyeliner and is surrounded by a white background.

Connotations: The woman being naked immediately associates the image with sex and provocation, her stance appears quite 'inviting' and she makes eye contact with the viewer showing a connection. The white background allows the figure to stand out most clearly in the image, creating all attention and eyes on the woman. The messy styled hair could suggest something she has been doing whilst in her current naked state, and appears quite typically 'model' like. The covered eye and messy hair shows a sense of rebellion. The image appears as if it would fit in any stereotypical men's magazine

Adding text to the image completely alters meaning:


Through the addition of the caption the viewer understands that the ad in fact promotes awareness of killing animals to wear their fur. The ad is from the well known animal protection organisation Peta. The figure's nakedness shows a stand against cruelty rather than a particularly sexual message, as it would have been without the bold text. The text 'FUR? I'd rather go naked' shows a clear and bold opinion of the fur industry and of the people who wear it. That the figure would rather wear her own skin than something elses.

Semiotics

In our previous lesson we began to explore the concept of semiotics/semiology. Semiotics is the study of signs and symbols as elements of communicative behavior. We were first introduced to this concept through the analyses of everyday signs and their connotations and denotations. A connotation is the meaning behind an image, e.g. a woman is smiling which means she is happy. Whereas a denotation is the simple observation, e.g. a woman is smiling. Semiotics is a way in which we can analyse media texts and utilise these skills to attract or defer an audience and observe it's effects. We also briefly touched upon the use of signs and signifiers, objects or people that we associate clearly with an emotion or ideology, something the audience will associate with perhaps danger, or religion, something familiar and clear. E.g. a man holds a gun. The signifier would be the gun as it is immediately associated with danger or criminals.

Here is an example of using connotations and denotations to analyse an image:

Denotations: 
A woman lays on a bed holding a gun and smoking a cigarette. The bed is in disarray and there are open books in front of her, behind is a tilted lamp shade. She is dressed all in black with black hair. 

Connotations:
The gun in the image immediately shows the woman has a sense of danger around her, as a gun signifies this. The cigarette also provokes a sense of rebellion and danger as it is often viewed as unfeminine to smoke. The way in which she casually holds the gun to the side of her suggests that violence is a casual thing, that she is comfortable holding a gun (which is also shown through her stance on the bed). The cloud of smoke suggests mystery and attractiveness as it is a common sign used on the original Femme Fatale character. The strewn books over the bed suggests the woman is quite careless about neatness and tidying, this is also shown as the lamp is tilted to the side. The woman's stance on the bed could be viewed as quite provocative and 'sexy' as she lays forwards showing her cleavage and heels in the air, which also holds connotations to sexuality and rebellion. Also the fact she is on a bed adds to the sexuality of the image. The figure is dressed entirely in black which has suggestions of evil and danger, as opposed to white which shows innocence and purity.

Putting the image into context with the film, the connotations with the image are quite similiar to the traits of the character herself, Mia Wallace from Pulp Fiction. The character is surrounded by a gangster type lifestyle everyday, as her husband is the head of a 'gang', throughout the film stories of how a man is killed because he touched Mia's feet are circulated, creating a reputation of danger around the character of Mia. She also acts quite provocatively to her guardian in the film, Vincent Vega, through flirtatious behaviour and actions. The disarray of the room could link to how she doesn't have a care in the world as she is looked after constantly in the film, it could also be shown as a cry for help as her attention seeking behaviour could be a sign of lonliness as her husband is never seen with her. The mess of the room reflecting the mess in her life.

First lesson back

In our first lesson back we discussed and reviewed the course that will unfold. Our first task is to create a presentation; choosing an artefact and related products in different media genres, using a variety of evidence to display the following attributes-

  • Intertextuality
  • Borrowed interest
  • Audience theory
  • The two-step flow concept
  • Exhibition and distribution processes utilised 
For my presentation I am going to focus on the director/screenwriter/producer/novelist/designer Guillermo Del Toro. I follow his work quite closely and am a big fan, and so will be divulging in many of his talents to present to the class. Borrowed interest is used widely in Del Toro's films, such as Hellboy, as it attracts the DC/Marvel fans as well as fans of Del Toro's creature creations and works. On the many websites of his works there are slight references and links to Del Toro's productions utilising intertextuality. I will go into more detail in the presentation itself, which will be shown at the end of term.